LOST AND FOUND

Julia Klemm, Justin Lieberman, Lilian Robl, Pat Shoulder, Johanna Strobel

30.07 – 2.09.2021

Lost and Found, 2021, installation view

Lost and Found, 2021, installation view

Lost and Found, 2021, installation view

Lost and Found, 2021, installation view

Lost and Found, 2021, installation view

Johanna Strobel, False Friends, 2021, acrylic mirrors, plastic, glass, aluminium, clockworks 

(clockwise and counterclockwise), LEDs, USB extension cords, digital timer, size variable (each approx. 25

x 25 x 5 cm)

Julia Klemm, untitled, 2020, ceramic, glaze, second-hand ceramic leopards, 76 x 30 x 33 cm

Julia Klemm, untitled, 2020, ceramic, glaze, second-hand ceramic leopards, 76 x 30 x 33 cm

Lost and Found, 2021, installation view,

Julia Klemm, untitled, 2021, ceramic, glaze, second-hand ceramic leopard, 32 x 28 x 33 cm

Julia Klemm, untitled, 2021, ceramic, glaze, second-hand ceramic leopard, 32 x 28 x 33 cm

Julia Klemm, untitled, 2021, ceramic, glaze, second-hand ceramic leopard, 32 x 28 x 33 cm

Pat Shoulder, Sun Umbrella, 2020, Steel, paint, print on textile

Lost and Found, 2021, installation view

Justin Lieberman, Obscure Readability, 2020, ceramic, glass and pedestal with sand, 41 x 22 x 12 cm (Courtesy of Galerie Christine Mayer)

Justin Lieberman, Obscure Readability, 2020, ceramic, glass and pedestal with sand, 41 x 22 x 12 cm (Courtesy of Galerie Christine Mayer)

Lilian Robl,Winning Hearts and Minds, 2016, 5 min 55 sec (plus textile bag and assorted metal objects)

A naturalist, specifically an 18th century one, likes to classify. After an expedition to the jungles of some remote land he – and it is almost always a he – takes out his specimens and begins to compare. This one looks like the second, the third does not, the fourth has some features of the first two, but also some traits seen in the third. He makes up categories and puts labels on boxes, marking the time and place at which the specimens were found. He then takes out a scalpel and cuts them open in order to examine their inner structure. Here are the muscles and these are the breathing organs. This is the skin, and under the microscope he can see the epidermal structure. Visually speaking, the naturalist proceeds mimetically, by finding patterns and organising resemblances. He looks and compares. He judges accordingly. 

There are however animals that escape the naturalist’s grasp. Fictional beings like vampires and werewolves, who live in darkness of our imaginations and spread by infecting others with their poisonous bite – these can be easily dismissed as unworthy of our serious attention. Viruses and pandemics less so. A virus can hardly be deemed alive, reproducing only in the host’s body. Although it mutates, it does not develop to evolve into ever more complex organisms. While it can be placed into groups of similar viruses, it eludes the classificatory system with its orders, families, genera and species.

The exhibition ‘Lost and Found’ has a slightly dystopian, even post-apocalyptic quality, of various objects assembled in haste and then disregarded, leftovers from a Mad-Max film set. A preview exhibition, it consists of artists who will hopefully be part of GiG Munich’s ‘Thinking Nature’ 2022 programme, which examines the relationship between man and nature, as it presents itself in thought. These artists were selected because their practices are not of class and order, but rather of mutation and infection. We see this most in Julia Klemm’s sculpture were kitsch ceramic animals are broken up and then reassembled, set precariously on their rickety plinths. Pat Shoulder’s work is collaborative, a result of an exchange of letters between the two artists during the first lockdown. The order of time is put into question with Johanna Strobel’s installations and  logic disintegrates in Lilian Robl’s videos.  There is a celebration of nature’s structures in the glass turtle shells of Justin Lieberman but again this order is not that of the naturalist. As with the others, it is a viral order of an unnatural kind. 

LOST AND FOUND

30.07 – 2.03.2021

Soft Opening: 29.07.21, 6 – 9 pm

As the previously planned exhibition had to unfortunately be cancelled, GiG Munich would like to use this opportunity to introduce a few artists, who it will be collaborating with next year as part of the ongoing ‘Thinking Nature’ series. Lost and Found is a preview exhibition, ‘lost’ because of the work that got lost in the post, ‘found’, because of the new work about to be discovered. The exhibition is a spontaneous one – what will happen, will happen. 

Low Affinity

Johanna Strobel

CANCELLED

16.07. – 3.09.2021

Sadly, the exhibition will have to be postponed till further notice. The work was lost in the post. Hopefully we can make the exhibition happen later in the year, most likely in October. We apologise for the inconvenience caused.

GiG Munich is happy to present the next instalment of the series Thinking Nature, featuring new work by Johanna Strobel. For her solo exhibition low affinity, Johanna Strobel creates rhizomatic macramé-like structures from USB extension cords, using them to power her plexiglas and paraffin sculptures.

Entropy, the fact that once the USB 2.0 cable exceeds a certain length information gets lost while power still remains, forms the central component of this work. It ties together the ancient idea of ‘ether’ as a medium through which light travels, the fluid physics of translucency, and the decorative and practical craft of knot-making. Her practice is informed by her background in science, and explores such unwieldy concepts like time and space, information and entropy, language, the creation, attribution or suspension of meaning and the everyday perception and precipitation of these concepts in mundane life.

Johanna Strobel is an interdisciplinary artist from Germany, currently based in New York. She holds degrees in Information Science and Mathematics and graduated in painting and graphics from the Academy of Fine Arts Munich with Honors (Meisterschuelerin of Gregor Hildebrandt) in 2017. In 2020 she received her MFA from Hunter College New York (New Genres). Since then she has participated in numerous exhibitions in Germany, Italy, Taiwan and the US, with a solo exhibition at the Municipal Museum Cordonhaus Cham, 2019. In 2020 her work was included in The Immigrant Artist Biennial, New York, USA, Jahresgaben, Kunstverein Munich, Germany and featured online by Hauser & Wirth. Johanna was a fellowship artist in residence at NARS Foundation, Brooklyn in 2021.

The exhibition will include an online discussion event with Dr. Beth Lord, Professor of Philosophy, School of Divinity, History, Philosophy and Art History at the University of Aberdeen.